Postes vacants

1. Principal Double Bass 100% (1)


  • Orquestra Sinfónica do Porto Casa da Música logo
  • Genre: Permanent . Se termine: dans 28 jours

  • Description complète

  • 1. Principal Double Bass - 100% (Permanent)

  • Sous les conditions suivantes

  • Sans conditions particulières

  • Nombre de postes

  • 1

  • Engagement

  • Permanent

  • Durée / Début

  • Après entente

  • Delai d'inscription

  • 21.10.2018

  • Autres remarques

  • The first contract agreement considers a period between one to three years after which could then be confirmed as a permanent contract.

    Applications will be subject to a pre-selection, based on the analysis of CV and other materials that we strongly recommend that candidates should supply at the application platform [especially excerpts of video recording of performance(s)], and the candidate will be informed of the result by 29 October 2018.

  • Oeuvres au choix

  • • 1st Round
    1st Mov. of one classical concerto (to be chosen by the candidate from the following options):
    K. Dittersdorf Concert N° 2 OR J.B. Vanhal Concert OR F.A. Hofmeister Concert N° 1

    • 3rd Round
    1st Mov. of one romantic or XX century concerto (to be chosen by the candidate from the following options):
    Giovanni Bottesini Concerto Nº 2 OR Serge Koussevitzky Concerto op. 3 OR
    Peter Maxwell Davis Concerto N° 7 OR Hans Werner Henze Concerto OR
    Jean Françaix Concerto

    Excerpt Soli

    J. Haydn: Symphony Nr. 31 - Variation VII - solo

    I. Stravinsky: ‘Pulcinella’ Suite Mov. VII - Solo

    G. Mahler: Symphony Nr. 1 3rd Mov. - Solo

    S. Prokofiev: “Lieutenant Kije” Suite - Solo

    A. Ginastera: Variaciones concertantes Op. 23 Variation XI

    A. Berg: “Wozzeck” - Solo 3. Akt (from 55 to 65)

    Sight-reading and/or solo excerpts (including contemporary repertoire)

    Interview

  • Traits d'orchestre

  • • 2nd Round
    Excerpt Tutti

    W. A. Mozart: Symphony Nr. 40
    1st Mov. (b. 114-138 ; 191-220) ; 4th Mov. (b. 45-65; 153-187; 229-236)

    L. v. Beethoven: Symphony Nr. 3
    3rd Mov. (b. 14-127; 141-166)

    L. v. Beethoven: Symphony Nr. 5
    3rd Mov. (b. 0-96; 137- 218)

    L. v. Beethoven: Symphony Nr. 9
    4th Mov. (Recitativo b. 0-140; 431-441; 454-525)

    J. Brahms: Symphony Nr. 2
    1st Mov. (b. 118-155); 4th Mov. (b. 1-32; 251-275)

    H. Berlioz: “Sinfonie Fantastique”
    4th Mov. (3 after N50- N52) ; 5th Mov. (3 after N70-6after-N73)

    G. Mahler: Symphony Nr. 7
    2th Mov. (2 after N74- N78)

    R. Strauss: ‘Ein Heldenleben’
    9 to 11; 8 b. before 16 to 17; 40 to 41; 57 to 6 b. after 63; 77 to 78

    • 3rd Round
    Excerpt Soli

    J. Haydn: Symphony Nr. 31 - Variation VII - solo

    I. Stravinsky: ‘Pulcinella’ Suite Mov. VII - Solo

    G. Mahler: Symphony Nr. 1 3rd Mov. - Solo

    S. Prokofiev: “Lieutenant Kije” Suite - Solo

    A. Ginastera: Variaciones concertantes Op. 23 Variation XI

    A. Berg: “Wozzeck” - Solo 3. Akt (from 55 to 65)



  • Documents nécessaires

  • Diplôme/Certificat

    Copie scannée du passeport ou de CNI.




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